MATSUO BASHO, EDO, 1694
Publicado por Jo Ruiz en 2:08
ELEVEN VARIATIONS ON A HEADSTONE IN HIGHGATE
I
Teetering on the brink
of a blue poppy, a bee.
Melancholy over a mossy
headstone, a white cat.
II
One, two, three crows
space out on a headstone
like undertakers having a laugh
in a sun-kissed bench.
III
A madman sings " Vesti
la giubba" at a headstone.
The pouring rain on the grass
sings along as well
the wind sighing through
the ash trees leaves.
IV
A lizzard slithered across
the tall grass in blue dew,
the yellow star thistles.
Then climbed upon a headstone
and stayed put for flies.
V
A Red Admiral has landed
suavely on a headstone...
or rather slipped into
the colourful dreams
of a fox sleeping by?
VI
In shade of mother-of-pearl
shimmers the sky.
A goblet of daffodils
yellowing up a headstone
rain-stained and green.
In an oval portrait in sepia
a Victorian girl smiles.
VII
From nearby a din
of chainsaw and rooks.
A red squirrel upon a headstone
plays with conkers.
The morning fog
with a will-o'-the-wisp.
VIII
Spoken for to the moonlight
an owl broods over a headstone.
Her lilting hoot hardly starts
a mouse that nibbles on dead bones.
IX
From golden to ashen the moon
glosses a brushwood glade.
A couple of smoochy foxes read
the name of a poet who died young
chiselled into a headstone.
X
The pattering of hail
against a headstone
not even perturbed
the reveries of a ghost
illumined by lightnings.
XI
Overrun with greenery,
bluebirds and white buttercups,
a headstone is no longer
the hallmark of worms.
Publicado por Jo Ruiz en 1:03
A BALMY DAY...
A balmy day there is no match
not a single soul
I come to the football stadium
to wind down
on the top side of the bleachers
near the soothing sun:
it's definitely comforting to see
the vacant pitch the stands
not a player not a single
football-chanter
not a dicky bird.
Only the bright and trimmed lawn
where some pigeons coo and preen
each other in the sunshine a few tabby cats
taking a breather in the shade.
No match no loud insults
like thunderous tannoys
Only some pigeons
some cats
and meself nibbling
a sandwich of twilight
and daydreams.
©Hiromu Kira, The Thinker, 1930
Publicado por Jo Ruiz en 1:58
WILD HORSES IN THE PYRENEES
I would like to spend my last eternity
with the wild horses.
Up in the high mountains where
the sea is only a dream of clouds.
I'd like to stay there to speak no more
like a monk in a blue grotto
and water drops slumbering
on fern leaves.
Wild horses that run away
from the horizon to heaven.
from heaven to my shadow
grazing in the wind-kissed grass.
(1996)
Publicado por Jo Ruiz en 1:32
WEAVING ESPARTO GRASS
As solitary people weaving
esparto grass by the moon
I weave this words by my self.
Weave and weave into a basket
with no other aim but the beauty
of words themselves
crafted together like the ropes
in demijohns of wine.
I weave this words on and on.
I am a basket case of wine
the same wine sipped by Sappho
when just on the brink to embrace Phaon
just on the brink to jump
near the Leucadian cliffs.
Publicado por Jo Ruiz en 1:21
MY HORSE
I had a horse who fed on jasmine sprigs.
A horse indeed: arabian, handsome, brisk.
When cantering or galloping he sweated golden rivers
and the sweat gave off a perfume that made dizzy
the whole airspace the whole sun.
He munched on any jasmine shrubs around,
flowers for him were as delicious
as apples or sugar lumps.
The kids made fun of my horse'
scented neighs and withers.
His droppings freshened the ambiance so good
that the mayor ordered never to clean them up.
All was running smoothly till one day my girlfriend
took a shine to my stallion. They fell in love.
They ran away.
Six months after the elopement I received a postcard
from Glasgow. She appeared in the picture
dressed up as a famous jokey riding my horse. She smiled.
I wept rivers when I saw him
eating jasmine petals out of her hands.
Publicado por Jo Ruiz en 1:11
THE LAMENT OF HERACLES
"Where is now my strength of yesteryears?
Omphale wants me to be dressed
with her yellow silk tunic more blazing
than Helios' smile on the horizon.
Omphale wants me to wear her hoop earings,
shell bangles and blue-laced sandals.
She nicked my lion's hide, my bow,
my long spear and all the vigour of my limbs
now smelling of scented resins and the cedar
perfume that give off all the Lydian maids...
One morning in the vineyards of Tmolos,
the god Pan did bless us:
I was bound to her like a jolly slave
in the shadow of a golden parasol
we made love,
in the shadow of a giant eagle,
we made love...
Presently she forced me to be a woman
while hiding my odorous clobbers.
Now all her maidens comb my long hair,
rub my skin with ointments of wild flowers,
put lead powder on my face right
into the pure whiteness of a mortuory mask.
Where is my strength of yesteryears?
Shall I be able to kill the voracious Stymphalian birds?
I want to be at the spinning wheel no more
singing along the chorus of women in thrall.
I want to get up again with my furry hides
stinking of manure and bull entrails.
I want to culminate all the twelve tasks
that can make me an hero kissed by Hera.
Hera,
Hera,
the goddess who I will love forever
even if I keep burning on end
like deadwood in the freezing Hades."
(2006)
Publicado por Jo Ruiz en 3:55