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SEIJAKU

 



Standing at the revolving belt

of a Japanese buffet

he picked out a teriyaki bowl.


Soon the bowl is empty soon

full of gleaming tears. A tiger-moth

flitting over the gleam.


A mug of coffee steamed up

the windows of his mutism

where suddenly someone smiled.


Someone who loved him the most

but never existed.




.                    Mizuumi Japanese bowl

                     ©Osara New York


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SUMMER LOVE

 



A trysting couple 

about to kiss each other

by an opalized light of June

that bathes the seaside promenade.


Van dwellers dancing to a gypsy

accordion like dogs barking

around a bonfire.


The sea hushed and aglitter.


A solitary poet at a pub bench sips

a glass of frothing Guinness

and waxes lyrics on a serviette

about the couple the squeezebox.


The moon waxing full

over the twilighted promenade

regardless the sigh-lorn poet

and the lovers now parting

gloomy without a word.


In a red and white puppet booth

Judy takes a swipe at Punch.


The van dwellers still dance wildly

under the spell of gypsy tunes.






    ©Aric S. Queen




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POEM

 



Just now the sun proffers to me 

a glass of elderberry wine.

Then a glass of mead.


I shut the eyes and sip.

I open the eyes: the world ain't there anymore,

not even my books and the sea.

Circe and Helen smirked

staring at my solitude. 


I bit a golden apple.


And the vast Time gets distorted 

and dwindles

to become a blade of grass.


Time small as a pebble.





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MELAMPYGE

 



Once upon a time there was

 a tabby cat called Melampyge

(so named after Casanova's dog)


 he was the only deceased 

when the San Marco's campanile

was doomed to collapse in 1902


Last night I dreamt myself petting

Its harlequin-fur at sunset just before

the tragedy came across la Serenissima


Rilke the poet -a black Homburg in hand-

was walking past me at a seraphic pace.

He whispered with a broad smile his last elegy

to some kind of elegant Comtesse

attired in blue organza and yellow gloves


Both blended slowly into the foggy backstreets

 Melampyge (podgy but nimble)

followed their ambling shadows

that scent the canals with violet hues.

I followed Melampyge toward the hidden

alleys off the beaten paths in Dorsoduro.


Suddenly Rilke looked back

and frosted his countenance 

with exactly the same blue eyes

of the cat glinting at me

just before running away

rightwards la Piazza San Marco...











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TITANIC'S COAL STOKERS

 


What were they singing the Titanic's coal stokers?

What did they choir along in the steam engine

 while shoveling coal on end amid screams, 

expletives and sailor jokes?

What were they humming larksome soaked

 in rills of sweat, ale and eating beef stew, plum

pudding like ravenous gannets?

Were they guided finally by Virgil as a lodestar

while walking through the last and eternal

flames of their lives?

What did they ever sing somewhere

 in the waiting room to the other side

 through the pearly gates? 


I hear their hobnail boots tapping

a rag-time on the flooded floor.




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REPARTO SUEÑO, 1975

 


A child is


(still not an exile

not a failed bard not 

a kind of eternal castaway)


 skipping ropes at sunset

in his native home patch

 called Sueño 

 

Reparto Sueño 


a child 

collecting silver caps 

of milk bottles earthworms

 blue marbles pick-up sticks 

like coins to pay for daydreaming..


another kid in the shade

of a flowering mango tree

still expects his father

from a far-off war

like a dog mourning

its master by his grave


A red sun hangs

on the sea-scented horizon

glittering like a goldfish

in a plastic bag.






                   ©,Celia Washington, 1983

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HEMLOCK

 


Here I am in this garret

where no insulting light

could glimmer on

my endless guffaw


like taking a curtain call

and bowing down

to be acknowledged

by an audience of ghost-

like beauties

in broad morbidezza.


I drunk a swig of hemlock

along with the ghost of Keats 

and all of the sudden 

the blue-green waves of poetry

rushed at last into the most

beautiful words.


Oh love, stay there in the sunshine

 don't tarry long beside this gloom.






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LACRIMAE RERUM

 


"Sunt Lacrimae rerum et mentem mortalia tangunt" 

(Virgil, Aeneid, Book I)


Tears of things are gleaming

in the darkness of memories.


Camellia, cherry blossoms

fill up the ground of my mind.


Tears of things like dew drops

on the bones of springtime

picked clean by the moon.


(the memory 

lost by the moon

is mine)


Tears of things 

sparkling like stars,


the stars are tears

of the unknown

forever.









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BESOS DE HIERBABUENA



“El mundo
-hoy levemente bélico-
Sin embargo huele
A besos de hierbabuena.
No conozco a esos labios
Que prodigan esos besos
Brujos(como diría un tango)
Sólo sé que rompen
En todos los vencidos
En todos los melancólicos
Como un oleaje lento y musical
Como un masaje que cura
Todo el dolor de vivir
O mentir.
Sólo sé que esos labios existen
Como uno tiene la certeza
De que hay agua en Marte
O nenúfares en la luna.
Dicen que Helena
Sólo era una sombra,
Que la verdadera Helena
Estaba en Egipto riéndose
de los verdaderos aqueos…
De ahí que mintiera el Bardo.
Yo no mentiré.
Yo no diré que besé a esos labios
Ni siquiera que existen.
Sólo sé que el mundo
-hoy levemente bélico-
Huele a sus besos de hierbabuena.
Y no a humareda de batallas o ambiciones.
Besos que curan cual esponja de vinagre
Todas las heridas visibles o invisibles.
Besos cuyo aroma adormece a las hienas
O enternece a los usureros.
Besos que uno puede contemplar
Como a un vuelo de golondrinas
O a un dibujo de Matisse…
Besos de hierbabuena,
Besos de hierba mojada por esa lluvia
Que ahora cae en Herculano
Poco antes de la erupción del Vesubio…
Poco antes de yo despertar…


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BEES

 


When I was a child a dense swarm of bees

Poured into my mouth pure forest honey.


So it happened to Isidore of Seville

when he was just a nipper, legend says.


Everyone expected of me the eloquence 

Of a saint in Damask, a rethorician in Athens.

But nobody, not even my mother knew 

About those bees having already sipped 

into the white asphodels down in Hades  ,

into the delusive oleanders in Arcadia.


Nobody expected of me to be a poet,

a secret polisher of words, the amanuensis 

of the invisible...


I still can listen their humming on my lips.


(2006)





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SUNDAY, 4/05/2025

 


I cried the louder at birth

so loud that all the hollow deep

of Hell resounded...

but I was not orphan like Oliver Twist

in Pentonville, London. 

Just brought into this world

sired by the sullen glare

of tropical sunsets.


I cry now -even louder- 

at my mother's ascent

into the unknown as a skylark

from a garden of blue roses

by the sea.


I saw her soaring embracing the sun.


*

o moth!

night-rover of England

roaming from hedge to hedge

from sweetbriars to gooseberries

from gooseberries to the moonrise

from the moonrise to finally alight

on the mirror reflecting

the most dulcet smile

of my late mother

o moth!


*


Dear mum, you already rest

in some melodious plot of beechen green

guarded by rain-soaked crows

and squirrels in Hampstead Heath.

Your ashes glowing as a constellation

of fresh stars or a new moon goddess.

Oftentimes the Constable's white horse

in a gallopade neighs your name.

Something in the aroma of your name

calls to mind the scent of wild moors.

I smell the aroma grazing along

with the horse, now cantering in blue.


And the world outside stop mattering.




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METAPHYSICS OF THE SHADOW


    

  

Pindar said

a man is just a dream 

of his shadow

I am the nightmare

of my walking shadow

 not even sure

it's mine.


*


Plotino refused to be

portraited because his self

was only the shadow

of his platonic prototype.

The shadow of a shadow

of a shadow of a shadow...

And the last shadow just

a seagreen twinkle

 in my cat's gaze.


*


Sat upon a rock in Montségur 

stronghold of the hapless 

Cathars and songful birds

the poet aligned his heart

to the sun in summer solstice

The poet became one of the Perfecti

sat upon a rock in Montségur

but his shadow rushed back

to his lofty mansarde in the old Paris.


*


Smelling the days

like an idiot savant

sniffs the numbers

he scavenges the night

like vulpine figures

searching for his own shadow:

early morning he traded it

for a bottle of wine and a mongrel

who laughs out loud

instead of barking to the moon.

.



















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FLASHES

 


Wild geese

where are you going now?

Sweet day not to alight

where the clan of hyenas

drink at sunset.


*


the past is not a foreign country

the past is already my country

for good. 

                A country with no flag

other than a wild laughter 

and the erect phallus 

of an African god.


*

 (Venus Anadyomede)


She sprung like a goddess

from the whirling froth

of dream-seascapes


He stepped into her glance

with the randomness

of a fallen card

following the saline fragance

of her vellus hair


She embraced him with a touch

of a dolphin playing around

dissolving him

in the sunblind waves.


*


I am a mortal who made love

with a goddess

and must die

and will never know

the goddess'name.


*


Don't bite again

the wrong side of the apple

-said the Sphinx squatted

in the middle of a vast desert

among the italianate ruins

of my mind

A sandstorm coating

her lion-wise head


*


The dogs scenting me.

I am already a wolf.

Maybe the moon.


*


like Anaxagoras I point to the stars

as my native home

even beyond the event horizon 


*


All day long 

I've been smelling deep

the moonshiny aroma

 of jasmine trellises.

All night long

I've been smelling deep

the jasmined aroma

of the moonlight.


*


Odd times

I write to God

and she replies to me

in form of dancing cranes.


*


A scarecrow wrapped

in a military overcoat

receives the splashdown

of prison vans and lorries

passing by. 

                     A symphonic rain

caressing wheatfields

                                        and roadkill.

The sky is like a mauve notepaper

where a solitary swallow

scribbling a gleeful madrigal 

is observed by caravan of gypsies

and lovers just about to elope.


*


Whatever the wolves

      Think of rain

           So do I.








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BEHOLDING THE LONDON GLOOM FROM THE OVERGROUND....(SUNDOWNER)

 

'He triumps now, the dead,

Beholding London's gloom'

(Lionel Johnson)



Beholding the London gloom

 from the overground

                                bound to Gospel Oak. 

There is a beam of fickle sunlight

 that glares onto the buildings plateglass

a succession of drystone walls 

with all the verdigris

of centuries and drizzles.

*

Komorebi

                     -so call the Japanese 

the sunbeams filtered through the trees.

 I want to be called Komorebi, Komorebi,

 even the tender sound of the word

subdues the clicketyclack of the train

alighting on West Hampstead.

Call me Komorebi, Anne, when I am already home

with your favourite Jaffa cake and white carnations.


Conatus 

               -so called Spinoza the strength

driving each human being to carry on...

Carry on in this gloominess, Jo, 

keep at watching those strands of light 

along the bridges and fences.

But how could I avoid watching all that knackered

people in tracksuits and elegant suits?

How can I get rid of that voices chewing

like cows trite and rain-streaked words?

How can I turn all that mud into memorable light?


I can listen outside the leaves 

of the ash trees hissing in the wind.

I can see a posse of thugs that pull

a mooney to the train passing by.

I can see a pigeon pecking at a dog-end.


Carry on, mental Jo, sing along with the rain

pitter-patter on the cobblestones.

"Something will turn up"

                            -says Wilkins Micawber 

with his eye-glass and walking stick

 waving at me a silk hankie from a park bench.

I smirked him back.

Disabused of reality, down-trodden by hope...


Carry on, mental Jo, ya scum of the earth

enlisted to drink, ya closet poet, dotty low-lifer,

man up and stop nursing the same flummery moans...


*


A smell of deep-fry 

cast my reveries away.

Still don't know

 if I got off at Gospel Oak

or rather at a purple  desolate

 seaside in Devon at dusk.









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THE BAREFOOT POET





The barefoot poet walks carelessly

over the last shards of his wisdom:

crimson, green, blue, yellow shards

glinting by the autum gloam.

Far from bleeding his feet sing out

all the paths he never wandered

all the paths he is just traversing

all along the next life.





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BAREFOOT

 



The uneventful life of a poet

barefoot in soiled dungarees

deadheading carnations


first thing in the morning


trying to balance the scales

of justice and madness.


Satiated his magpie need

for shiny words


he leaned a ladder

against an invisible wall

to climb for his shadow

stolen by the dimming stars.


He hears goat-bells

from a violet distance,

the rustling of some cypress

that godly seems

to hallow the morning

crowned by a sun

forever in childhood

forever in gold.








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PASTORAL

 



An old van rusting away

by an elm-lined footpath,

a cat stares at me bemused

like someone seeing a ghost.

A dray horse weary near

an old stone trough

bites a beam of sunshine,

huffs and puffs at hearing

my sighs.

There is an apple tree nearby

a honeycomb of irate bees

there is a beetle corpse dragged

by ants on a straight line

there is a din of merry birds

circling above

and the sudden sight of a naked

maiden riding a deer

there is the hermit's ramshackle hut

where I'll be kipping for a while

over the dead leaves

a brownish skull as a pillow

a firefly as a lover.


*


Like a salesman 

who sells pure mornings 

never stained by polluted cities

venal glories,

I sat over an oak stump

to bargain with the stars above

my next cloak of invisibility:

there hardly I am but I am

at least bedazzled

by the flying squirrel

about to jump

upward to the moon.


(2007)



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LETHOLOGICA*

 


Like a moth buzzing around a flower

as she can't alight on a word. 

(Virginia Woolf)


I cannot find the right word

to define my present station of life.

Maybe quietus, maybe oddling.

Oddling crow in the quietus

of a back and forth existence.

The right word is a moth flitting

around the light we'll never see

for good. The right word is

like Democritus in his garden

laughing off for nothing

while tending black roses.




*The inability to remember a particular word or name.




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SHADE

 


 

I do well in the shade  near the hydrangeas

and my dreaming cat   without the tyranny of the sun

spotlighting everything I do well.


Only the violet shade can shine up

all this black brooding from the spirit,

the wishfulthinkingness of life.


A true poet is a hawker crying out

to sell the goods of his soul knowing

that only the Devil can afford them.






.  

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ASHES

 



my own ashes well kept

 in a transparent urn

of heartwood and amber.

Shall I scatter them from a cliff

in Patmos or maybe in Corfu?


perhaps they might turn into a white trireme

 sailing away to the sun. Perhaps

I'll be expecting so long for the arrival

that a war in Troy will break out again; 

this time Priam would be the victorious one

and Ulysses crushed by his own wooden horse.


and Helen up to the creek sick of Paris

would end up jumping on the white trireme

seaworthy for the distant Egypt.


 patiently patiently I'd be expecting: the world

has defeated me but not the freedom

of my wandering ashes.











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POEMAS DE ERROR Y MISTERIO is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Based on a work at habaneroerrante.blogspot.com.